Thursday 16 August 2012

A History of//Hippie Culture

The Hippie Movement
The hippie subculture developed as a youth movement that began in the United States during the early 1960s and spread around the world. Its origins can be traced back to classical culture, and to European social movements in the early 20th century i.e.: Fabians and Bohemians. From around 1967, its fundamental ethos — including harmony with nature, communal living, artistic experimentation particularly in music, and the widespread use of recreational drugs — spread around the world.

Classical culture
The hippie movement has found historical precedents as far back as the Mazdakist movement in Persia, whose leader the Persian reformer Mazdak, advocated communal living, the sharing of resources,vegetarianism and free love. A 1967 article in Time Magazine asserted that the hippie movement has a historical precedent in the counterculture of the Ancient Greeks, espoused by philosophers like Diogenes of Sinope and the Cynics. The article also claimed that the Hippies were influenced by the ideas of Jesus Christ, Hillel the Elder, Buddha, St. Francis of Assisi, Henry David Thoreau, Gandhi, and others. Some have pointed to the short-lived Merrymount colony (ca 1625) (allegorically portrayed by Nathaniel Hawthorne) as the first 'hippie' experience on the American continent.
19th and early 20th century EuropeDuring the first several decades of the 20th century, these beliefs were introduced to the United States as Germans settled around the country, some opening the first health food stores. Many moved to Southern California where they could practice an alternative lifestyle in a warm climate. In turn, young Americans adopted the beliefs and practices of the new immigrants. One group, called the "Nature Boys", took to the California desert, raised organic food, and espoused a back-to-nature lifestyle. eden ahbez, a member of this group, wrote a hit song called Nature Boy, which was recorded in 1947 by Nat King Cole, popularizing the homegrown back-to-nature movement to mainstream America. Eventually, a few of these Nature Boys, including the famous Gypsy Boots, made their way to Northern California in 1967, just in time for the Summer of Love in San Francisco.

In fin de siècle Europe, from 1896–1908, a German youth movement known as Der Wandervogel began to grow as a countercultural reaction to the organized social and cultural clubs that centered around German folk music. In contrast to these formal clubs, Wandervogel emphasized amateur music and singing, creative dress, and communal outings involving hiking and camping. Inspired by the works of Friedrich Nietzsche, Goethe, Hermann Hesse, and Eduard Baltzer, Wandervogel attracted thousands of young Germans who rejected the rapid trend toward urbanization and yearned for the pagan, back-to-nature spiritual life of their ancestors.

Beat Generation
The Beat Generation, especially those associated with the San Francisco Renaissance gradually gave way to the Sixties counterculture, accompanied by a shift in terminology from "beatnik" to "hippie." Many of the original Beats remained active participants, notably Allen Ginsberg, who became a fixture of the anti-war movement. On the other hand, Jack Kerouac broke with Ginsberg and criticized the 1960s protest movements as an "excuse for spitefulness." Bob Dylan became close friends with Allen Ginsberg, and Ginsberg became close friends with Timothy Leary. Both Leary and Ginsberg were introduced to LSD by Michael Hollingshead in the early 1960s, and both became instrumental in popularizing psychedelic substances to the hippie movement.

In 1963, Ginsberg was living in San Francisco with Neal Cassady and Charles Plymell. Around that time, Ginsberg connected with Ken Kesey, who was participating in CIA sponsored LSD trials while a student at Stanford. Cassady drove the bus for Ken Kesey's Merry Pranksters, and he attempted to recruit Kerouac into their group, but Kerouac angrily rejected the invitation and accused them of attempting to destroy the American culture he celebrated.

According to Ed Sanders, the change in the public label from "beatnik" to "hippie" occurred after the 1967 Human Be-In in San Francisco's Golden Gate Park, where Ginsberg, Gary Snyder, and Michael McClure led the crowd in chanting "Om". Ginsberg was also at the infamous 1968 Democratic National Convention, and was friends with Abbie Hoffman and other members of the Chicago Seven. Stylistic differences between beatniks, marked by somber colors, dark shades and goatees, gave way to colorful psychedelic clothing and long hair worn by hippies. While the beats were known for "playing it cool" and keeping a low profile, hippies became known for displaying their individuality.

One early book hailed as evidencing the transition from "beatnik" to "hippie" culture, was Been Down So Long It Looks Like Up to Me by Richard Fariña, brother-in-law of Joan Baez. Written in 1963, it was published April 28, 1966—two days before its author was killed in a motorcycle crash.



1960–1966
Ken Kesey and the Merry Pranksters

The Merry Pranksters were a group who originally formed around American novelist Ken Kesey, considered one of the most prominent figures in the psychedelic movement, and sometimes lived communally at his homes in California and Oregon. Notable members include Kesey's best friend Ken Babbs, Neal Cassady, Mountain Girl (born Carolyn Adams but best known as Mrs. Jerry Garcia), Wavy Gravy, Paul Krassner, Stewart Brand, Del Close, Paul Foster, George Walker, and others. Their early escapades were chronicled by Tom Wolfe in The Electric Kool-Aid Acid Test.

Ken Kesey and the Merry Pranksters are remembered chiefly for the sociological significance of a lengthy roadtrip they took in 1964, traveling across the United States in a psychedelically painted school bus enigmatically labeled Further, and for the "Acid Tests". Kesey believed that psychedelics were best used as a tool for transforming society as a whole, and believed that if a sufficient percentage of the population had the psychedelic experience then revolutionary social and political changes would occur. Therefore, they made LSD available to anyone interested in partaking - most famously through the "electric kool-aid" made available at a series of "Acid Tests"; musical and multi-media events where participants were given "acid", the street name for LSD. The tests were held at various venues in California, and were sometimes advertised with colorful crayoned signs asking "Can you pass the acid test?" The first Acid Test was held in Palo Alto, California in November 1965. (LSD was legal in the United States until October 6, 1966.) The young psychedelic music band the Grateful Dead supplied the music during these events.

Red Dog Experience
The Red Dog Saloon was a bar and music venue located in the isolated, old-time mining town of Virginia City, Nevada. In April 1963, Chandler A. Laughlin III established a kind of tribal, family identity among approximately fifty people who attended a traditional, all-night peyote ceremony which combined a psychedelic experience with traditional Native American spiritual values.

During the summer of 1965, Laughlin recruited much of the original talent that led to a unique amalgam of traditional folk music and the developing psychedelic rock scene. He and his cohorts created what became known as The Red Dog Experience, featuring previously unknown musical acts - Big Brother and the Holding Company, Jefferson Airplane, Quicksilver Messenger Service, The Charlatans, Grateful Dead and others. There was no clear delineation between "performers" and "audience" and the music, psychedelic experimentation, unique sense of personal style, and Bill Ham's first primitive light shows combined to create a new sense of community.
Anti-war protests
Although there were many diverse groups and elements protesting the US military involvement in Vietnam as it began to escalate, many of the protesters, rightly or wrongly, came to be associated with aspects of the "hippie" movement in the popular view. A number of them had been highly active in the Civil Rights movement in the first half of the 1960s, traveling across the country to take part in sit-ins and marches against segregation in the South. The first draft card burnings took place May 12, 1964 in New York City. Others followed, including more draft-card burnings in May 1965 at the University of California, Berkeley (which had already seen a precedent to the subsequent social turmoil, in form of the Free Speech Movement), and a coffin was marched to the Berkeley draft board. As similar protests continued through the summer, President Lyndon Johnson responded by signing a new law on August 31, 1965 penalizing the burning of draft cards with up to 5 years in prison and a $1,000 fine, although such burnings went on regardless. In later years, the Viet Cong flag of the "enemy" was even adopted as a symbol by more radical anti-war protesters. However, the core "hippie" philosophy remained staunchly aloof to politics, and politicians, throughout this time.

Generation
The new "hippie" values, e.g. natural childbirth, made an early Broadway appearance October 6, 1965 with the opening of a popular new play, Generation by US playwright William Goodhart, starring Henry Fonda (as Jim Bolton), which, according to one of its reviews in Time, "converts a Greenwich Village loft into a sparring ground for the Establishment and the hippie, the parent and the child." Owing to the success of this play, it went on to be made into a 1969 film, entitled Generation (also released under the title A Time for Giving and A Time for Caring) with David Janssen in the role of Jim Bolton (also featured Kim Darby, Carl Reiner, James Coco and Sam Waterston)
Underground press
Another signal of the rising movement was the sudden appearance of an underground hippie press in several US cities. Among the first of these was the Los Angeles Free Press, which began in May, 1964 as a broadside entitled The Faire Free Press. This was soon followed by the Berkeley Barb in August 1965, the East Village Other of New York, in October 1965, The Fifth Estate, in Detroit in November 1965, and East Lansing's The Paper in December 1965. By 1966 the Underground Press Syndicate had been organized; 80 presses of U.S. and Canada came to a conference sponsored by Middle Earth in Iowa City. Liberation News Service, located in Washington DC, then New York, then split between New York and a commune in rural Massachusetts, served up alternative stories to the underground press world.

Psychedelic rock
When they returned to San Francisco at the end of Summer, 1965, Red Dog participants Luria Castell, Ellen Harman and Alton Kelley created a collective called "The Family Dog."Modeled on their Red Dog experiences, on October 16, 1965, The Family Dog hosted "A Tribute to Dr. Strange" at Longshoreman's Hall.Attended by approximately 1,000 of the Bay Area's original "hippies," this was San Francisco's first psychedelic rock performance, a costumed dance and light show featuring Jefferson Airplane, The Great Society, and The Marbles. Two other events followed before year's end, one at California Hall and one at the Matrix.A Tribute to Dr. StrangeTrips Festival

A much larger psychedelic event, "The Trips Festival," took place on January 21–January 23, 1966 at Longshoreman's Hall, organized by Stewart Brand, Ken Kesey, Owsley Stanley, Zach Stewart and others. Ten thousand people attended this sold-out event, with a thousand more turned away each night. On Saturday January 22, the Grateful Dead and Big Brother and the Holding Company came on stage, and 6,000 people arrived to imbibe punch spiked with LSD and to witness one of the first fully developed light shows of the era.Fillmore Auditorium and Avalon Ballroom

By February 1966, the Family Dog became Family Dog Productions under organizer Chet Helms, promoting happenings at the Avalon Ballroom and the Fillmore Auditorium in initial cooperation with Bill Graham. These and other venues provided settings where participants could partake of the full psychedelic music experience. Bill Ham perfected his liquid light projection shows which, combined with film projection, and became synonymous with the San Francisco ballroom experience.

When San Francisco's Fox Theater went out of business, hippies bought up its costume stock, reveling in the freedom to dress up for weekly musical performances at their favorite ballrooms. As San Francisco Chronicle music columnist Ralph J. Gleason put it, "They danced all night long, orgiastic, spontaneous and completely free form."
Haight-Ashbury
Some of the earliest San Francisco hippies were former students at San Francisco State College (later renamed San Francisco State University) who were intrigued by the developing psychedelic hippie music scene and left school after they started taking psychedelic drugs. These students joined the bands they loved and began living communally in the large, inexpensive Victorian apartments in the Haight. Young Americans around the country began moving to San Francisco, and by June 1966, around 15,000 hippies had moved into the Haight. The Charlatans, Jefferson Airplane, Big Brother and the Holding Company, and the Grateful Dead all moved to San Francisco's Haight-Ashbury neighborhood during this period.

Love Pageant Rally
On October 6, 1966, the state of California made LSD a controlled substance, making the drug illegal. In response to the criminalization of psychedelics, San Francisco hippies staged a gathering in theGolden Gate Park panhandle, called "The Love Pageant Rally",attracting an estimated 700-800 people. As explained by Allan Cohen, co-founder of the San Francisco Oracle, the purpose of the rally was twofold — to draw attention to the fact that LSD had just been made illegal, and to demonstrate that people who used LSD were not criminals, nor were they mentally ill. According to Cohen, those who took LSD were mostly idealistic people who wanted to learn more about themselves and their place in the universe, and they used LSD as an aid to meditation and to creative, artistic expression. The Grateful Dead played, and some sources claim that LSD was consumed at the rally.

Diggers
“ It is nothing new. We have a private revolution going on. A revolution of individuality and diversity that can only be private. Upon becoming a group movement, such a revolution ends up with imitators rather than participants...It is essentially a striving for realization of one's relationship to life and other people... ”
—Bob Stubbs, "Unicorn Philosophy",

Hippie action in the Haight centered around the Diggers, a guerrilla street theatre group that combined spontaneous street theatre, anarchistic action, and art happenings in their agenda to create a "free city." By late 1966, the Diggers opened stores which simply gave away their stock; provided free food, medical care, transport and temporary housing; they also organized free music concerts and works of political art. The Diggers criticized the term 'hippie' with their October 1967, 'Death of Hippie' event.

The Death of Hippie event: In late September 1967, many of the shops in the district began to display a stack of 4x5 cards on their counters proclaiming "Funeral Notice for Hippie". "Friends are invited to attend services beginning at sunrise, October 6, 1967 at Buena Vista Park". An organization known as the Haight Ashbury Switchboard actively supported the Digger's funeral concept. A funeral procession went from the park down Haight St and ended in the Panhandle with supporters carrying a trinket filled casket. It was emblematic of the fate of the hippie movement in San Francisco.

By mid-1968, it was widely noted that most of the original "Flower Children" had long since departed the Haight Ashbury district, having been replaced by a more cynical and exploitative crowd.
Los Angeles
Los Angeles also had a vibrant hippie scene during the mid-1960s. The Venice coffeehouses and beat culture sustained the hippies, giving birth to bands like The Doors. Sunset Strip became the quintessential L.A. hippie gathering area, with its seminal rock clubs Whisky-a-Go-Go and the Troubadour. The Strip was the location of the protest described in Buffalo Springfield's early 1967 hippie anthem, "For What It's Worth."
Millbrook
Before the Summer of Love, Timothy Leary and Richard Alpert formed the International Foundation for Internal Freedom in Newton, Massachusetts, inhabiting two houses but later moving to a 64-room mansion at Millbrook, New York, with a communal group of about 25–30 people in residence until they were shut down in 1967.
Drop City
In 1965, four art students and filmmakers, Gene Bernofsky, JoAnn Bernofsky, Richard Kallweit and Clark Richert, moved to a 7-acre (28,000 m2) tract of land near Trinidad, Colorado. Their intention was to create a live-in work of Drop Art, continuing an art concept they had developed earlier, and informed by "happenings." As Drop City gained notoriety in the 1960s underground, people from around the world came to stay and work on the construction projects. Inspired by the architectural ideas of Buckminister Fuller and Steve Baer, residents constructed geodesic domes and zonahedra to house themselves, using geometric panels made from the metal of automobile roofs and other inexpensive materials. In 1967 the group, consisting of 10 core people and many contributors, won Buckminster Fuller's Dymaxion award for their constructions.
1967
Summer of Love

On January 14, 1967, the outdoor Human Be-In in San Francisco popularized hippie culture across the United States, with 20,000 hippies gathering in Golden Gate Park. The Monterey Pop Festival from June 16 to June 18 introduced the rock music of the counterculture to a wide audience and marked the start of the "Summer of Love." Scott McKenzie's rendition of John Phillips' song, "San Francisco," became a hit in the United States and Europe. The lyrics, "If you're going to San Francisco, be sure to wear some flowers in your hair", inspired thousands of young people from all over the world to travel to San Francisco, sometimes wearing flowers in their hair and distributing flowers to passersby, earning them the name, "Flower Children."

Bands like the Grateful Dead, Big Brother and the Holding Company (with Janis Joplin), and Jefferson Airplane continued to live in the Haight, but by the end of the summer, the incessant media coverage led the Diggers to declare the "death" of the hippie with a parade. According to the late poet Stormi Chambless, the hippies buried an effigy of a hippie in the Panhandle to demonstrate the end of his/her reign. Regarding this period of history, the July 7, 1967, TIME magazine featured a cover story entitled, "The Hippies: The Philosophy of a Subculture." The article described the guidelines of the hippie code: "Do your own thing, wherever you have to do it and whenever you want. Drop out. Leave society as you have known it. Leave it utterly. Blow the mind of every straight person you can reach. Turn them on, if not to drugs, then to beauty, love, honesty, fun."

It is estimated that around 100,000 people traveled to San Francisco in the summer of 1967. The media was right behind them, casting a spotlight on the Haight-Ashbury district and popularizing the "hippie" label. With this increased attention, hippies found support for their ideals of love and peace but were also criticized for their anti-work, pro-drug, and permissive ethos. Misgivings about the hippie culture, particularly with regard to drug abuse and lenient morality, fueled the moral panics of the late 

1960s
New Communalism

When the Summer of Love finally ended, thousands of hippies left San Francisco, a large minority of them heading "back to the land". These hippies created the largest number of intentional communities or communes in the history of the United States, forming alternative, egalitarian farms and homesteads in Northern California, Colorado, New Mexico, New York, Tennessee and other states. According to Timothy Miller, communes were organized in many different ways, some along religious, political, and even sexual orientation. Poet and writer Judson Jerome, who studied the American commune movement, estimates that by the early 1970s, about 750,000 people lived in more than ten thousand communes across the United States.

The Farm
In 1967, Stephen Gaskin began to develop a philosophy of hippie perspectives at San Francisco State College, where Gaskin taught English, creative writing, and General Semantics. Gaskin's "Monday Night Class" became a broad, open discussion group involving up to 1,500 students and other participants from the San Francisco Bay Area. In 1970, Gaskin and his wife, Ina May Gaskin led a caravan of 60 buses, vans and trucks on a cross country speaking tour. Along the way, they checked out various places that might be suitable for settlement. When they got back to San Francisco, they decided to return to Summertown, Tennessee, where they bought 1,700 acres (688 hectares) and created an intentional community called "The Farm." The Farm became a widely respected, spiritually based hippie community that still thrives, although it is now more a hip village of 300 than a commune of 1,200. The Farm continues in many public-service and philanthropic enterprises through the Farm Midwifery Center, Plenty International, and other sub-organizations.

Strawberry Fields
The second commune on the west coast

Started by former Boston Stockbroker and later Probation Officer Gridley Wright, Strawberry Fields, named after the song by the Beatles, occupied forty four acres of land in Decker Canyon,the arid hills above Malibu, California. Nine adults and six children made up the original community, housed in two old houses and a barn. Over fifty people ended up there during its five months of existence. It was a stopping off place for Timothy Leary as well as other well known figures in the psychedelic movement. Annie and the Family were one of the original families to take up residence there, they later went on to take part in the magical mystery tour and to live in a number of other communes in Europe.
1968
By 1968, hippie-influenced fashions were beginning to take off in the mainstream, especially for youths and younger adults of the populous "Baby Boomer" generation, many of whom may have aspired to emulate the hardcore movements now living in tribalistic communes, but had no overt connections to them. This was noticed not only in terms of clothes and also longer hair for men, but also in music, film, art, and literature, and not just in the US, but around the world. Eugene McCarthy's brief presidential campaign successfully persuaded a significant minority of young adults to "get clean for Gene" by shaving their beards or wearing lower miniskirts; however the "Clean Genes" had little impact on the popular image in the media spotlight, of the hirsute hippie adorned in beads, feathers, flowers and bells.

The year 1968 also saw the development of two new, but dissimilar, genres of music that each exerted some influence on, and were influenced by, the hippie movements: Heavy metal, and reggae.
Yippies
The Yippies, who were seen as an offshoot of the hippie movements parodying as a political party, came to national attention during their celebration of the 1968 spring equinox, when some 3,000 of them took over Grand Central Station in New York — eventually resulting in 61 arrests. The Yippies, especially their leaders Abbie Hoffman and Jerry Rubin, became notorious for their theatrics, such as trying to levitate the Pentagon at the October 1967 war protest, and such slogans as "Rise up and abandon the creeping meatball!" Their stated intention to protest the 1968 Democratic National Convention in Chicago in August, including nominating their own candidate, "Lyndon Pigasus Pig" (an actual pig), was also widely publicized in the media at this time.

By the time of the convention, city officials were prepared for the worst, with 23,000 police, National Guard, and Federal troops. Following the pig's nomination on the first day, Rubin and 6 others were arrested, but protests and music concerts were allowed to continue in Lincoln Park for two days, albeit an 11:00 PM curfew was enforced. On the Convention's second night, poet Allan Ginsberg led protesters out of the park, thus avoiding confrontation, by chanting "Om". On the third night, riots erupted in response to the curfew, causing police to indiscriminately attack protesters and innocent bystanders alike, including journalists from around the world and even visiting dignitaries, throughout the streets of Chicago. The violence suffered by the journalists present, even including Mike Wallace,Dan Rather and Hugh Hefner, resulted in a mainstream media that was more sympathetic to certain hippie ideals, and less so to politicians, for several years. However, this galvanized the protest movement, and the following year, the trial of Hoffman, Rubin, and others as the "Chicago Seven" (originally Eight) generated significant interest.
Resurrection City
Beginning May 12, 1968, the newly formed Poor People's Campaign, started by the recently assassinated Martin Luther King, Jr., organized a shantytown known as Resurrection City, composed of around 3,000 black, native, and Latino militants, along with a significant contingent of hippies and diggers, encamped on the National Mall in Washington, DC. This culminated in the June 19 "Solidarity Day" protest which drew 55,000 protesters, after which the tent settlements' population dwindled to around 300. It was finally razed, after almost 6 weeks, on June 24, 1968 by 1,000 riot police using tear gas.
1969
People's Park
In April 1969, the building of People's Park in Berkeley, California received international attention. The University of California, Berkeley had demolished all the buildings on a 2.8-acre (11,000 m2) parcel near campus, intending to use the land to build playing fields and a parking lot. After a long delay, during which the site became a dangerous eyesore, thousands of ordinary Berkeley citizens, merchants, students, and hippies took matters into their own hands, planting trees, shrubs, flowers and grass to convert the land into a park. A major confrontation ensued on May 15, 1969, and Governor Ronald Reagan ordered a two-week occupation of the city of Berkeley by the United States National Guard. Flower power came into its own during this occupation as hippies engaged in acts of civil disobedience to plant flowers in empty lots all over Berkeley under the slogan "Let A Thousand Parks Bloom."
WoodstockIn August 1969, the Woodstock Music and Art Festival took place in Bethel, New York, which for many, exemplified the best of hippie counterculture. Over 500,000 people arrived to hear the most notable musicians and bands of the era, among them Richie Havens, Joan Baez, Janis Joplin, The Grateful Dead,Creedence Clearwater Revival, Crosby, Stills, Nash & Young, Santana, The Who, Jefferson Airplane, and Jimi Hendrix. Wavy Gravy's Hog Farm provided security and attended to practical needs, and the hippie ideals of love and human fellowship seemed to have gained real-world expression.
Woodstock Festival
In December 1969, a similar event took place in Altamont, California, about 30 miles (45 km) east of San Francisco. Initially billed as "Woodstock West," its official name was The Altamont Free Concert. About 300,000 people gathered to hear The Rolling Stones; Crosby, Stills, Nash and Young; Jefferson Airplaneand other bands. The Hells Angels provided security that proved far less beneficent than the security provided at the Woodstock event: 18-year-old Meredith Hunter was stabbed and killed while drawing a gun in front of the stage during The Rolling Stones performance, and four accidental deaths occurred. There were also four births at the concert.
1970-present
By 1970, the 1960s zeitgeist that had spawned hippie culture seemed to be on the wane, at least in the US. The events at Altamont shocked many Americans, including those who had strongly identified with hippie culture. Another shock came in the form of the Sharon Tate and Leno and Rosemary LaBianca murders committed in August 1969 by Charles Manson and his "family" of followers.

Nevertheless, the oppressive political atmosphere that featured the bombing of Cambodia and shootings by National Guardsmen at Jackson State University and Kent State University still brought people together. These shootings inspired the May 1970 songs by Quicksilver Messenger Service "What About Me?," where they sang "You keep adding to my numbers as you shoot my people down" and Crosby, Stills, Nash and Young's protest song "Ohio".

Meanwhile, in England, the Isle of Wight Festival 1970 (August) drew an even bigger attendance than Woodstock, and was a major gathering of the hippie movement (as well as one of the last major concert appearances for a few prominent musicians of the time, such as Jimi Hendrix).

Also in 1970, coverage of the Chicago Seven trials provided the mainstream media an opportunity to highlight the most radical aspects of the movement. Yippie leader Jerry Rubin's guest appearance on the Phil Donahue Show in that year (April 1) represents the virtual apex of such publicity — surpassed only by his appearance November 7 that same year on The David Frost Show, where he lit a joint and tried to pass it to Frost, then summoned an army of expletive-using hippies planted in the audience to swarm the stage, all on live television.
Charles Manson
Charles Manson was a lifelong criminal who had been released from prison just in time for San Francisco's Summer of Love. With his long hair, charisma and the ability to charm a crowd with his guitar playing, his singing and rhetoric, Manson exhibited many of the outward manifestations of hippie identity. Yet Manson hardly exemplified the hippie ideals of peace, love, compassion and human fellowship; through twisted logic and psychological manipulation, he inspired his followers to commit murder. Manson's highly publicized 1970 trial and subsequent conviction in January 1971 irrevocably tarnished the hippie image in the eyes of many Americans. Other factors, such as the proliferation of drugs and their associated dependency, also contributed to the decline.
John Lennon
Also around this time, John Lennon and his wife Yoko Ono took up the mantle of a more prominent media role as a force for continuing the 'humane revolution' that was politically opposed to the 'establishment'. As early as March 1969 the couple had conducted their first "Bed-In for Peace"; in August 1971 they moved to New York City and joined up with the Chicago Trial "Yippie" defendants and other notable activists. In December 1971, Lennon sang at the John Sinclair Freedom Rally in Michigan, calling attention to Sinclair's ten year prison sentence for giving two joints to an undercover policewoman. Sinclair's release was suddenly approved by the state's authorities three days later, a testimony to the potential force of popular pressure; however, soon thereafter, the Nixon administration responded by seeking to have Lennon deported, on the pretext of a 1968 marijuana conviction in London. This dragged on through half of 1973, only increasing their status as anti-war and counterculture celebrities; by June 1973, the Watergate hearings had begun in earnest, and the famous pair made their final political statement by attending one of them. In 1975, the deportation case was dropped, and Lennon and Yoko attended the Inaugural Ball of president Jimmy Carter in January 1977.
Mainstream
Much of hippie style had been integrated into mainstream American society by the early 1970s. Large rock concerts that originated with the 1967 Monterey Pop Festival and the 1968 Isle of Wight Festival became the norm. Mustaches, beards and longer hair became commonplace and colorful, multi-ethnic clothing dominated the fashion world.

Starting in the late 1960s, some working class skinheads have attacked hippies. Hippies were also vilified and sometimes attacked by punks, revivalist mods, greasers, football casuals, Teddy boys and members of other youth cultures in the 1970s and 1980s. Hippie ideals were a marked influence on anarcho-punk and some post-punk youth cultures, such as the second summer of love.

In the mid-1970s, with the end of the draft and the Vietnam War, and a renewal of patriotic sentiment associated with the approach of the United States Bicentennial, the mainstream media lost interest in the hippie counterculture, and hippies became targets for ridicule, coinciding with the advent of punk rock and disco. Although not as visible as it once was, hippie culture has never died out completely: hippies and neo-hippies can still be found on college campuses, on communes and at festivals; while many still embrace the hippie values of peace, love, and community. Although many of the original hippies and those who were core to the movement remained (or remain) dedicated to the values they originally espoused, many of those who played more peripheral roles are often seen as having "sold out" during the 1980s by becoming a part of the corporate, materialist culture they initially rejected.
LegacyReligious and cultural diversity has gained greater acceptance. Eastern religions and spiritual concepts, karma and reincarnation in particular, have reached a wider audience with around 20% of Americans espousing some New Age belief. A wide range of personal appearance options and clothing styles have become acceptable, all of which were uncommon before the hippie era. Co-operative business enterprises and creative community living arrangements are widely accepted. Interest in natural food, herbal remedies and vitamins is widespread, and the little hippie "health food stores" of the 1960s and 1970s are now large-scale, profitable businesses.

Since the 1960s, many aspects of the hippie counterculture have been assimilated by the mainstream. Public political demonstrations are considered legitimate expressions of free speech. Unmarried couples of all ages feel free to travel and live together without societal disapproval. Frankness regarding sexual matters has become the norm—even conservative talk radio hosts, like Dr. Laura Schlessinger, feel free to exclaim "Orgasms are cool!" In urban centers especially, and in corporate America, the rights of homosexual, bisexual and transsexual people have expanded.While many hippies made a long-term commitment to the lifestyle, some younger people argue that hippies "sold out" during the 1980s and became part of the materialist, consumer culture. Hippies may still be found in bohemian enclaves around the world.

The immediate legacy of the hippies included: in fashion, the decline in popularity of the necktie which had been everyday wear during the 1950s and early 1960s, and generally longer hairstyles, even for politicians such as Pierre Trudeau; in literature, books like The Electric Kool-Aid Acid Test; in music, the blending of folk rock into newer forms including acid rock and heavy metal; in television and film, far greater visibility and influence, with some films depicting the hippie ethos and lifestyle, such as Woodstock, Easy Rider, Hair, The Doors, and Crumb. Even children's television shows likeH.R. Pufnstuf, and educational shows such as The Electric Company and Mulligan Stew were influenced by the hippies.

Contemporary hippies have made use of the World Wide Web and can be found on virtual communities. In the United Kingdom, the New age travellers movement, while eschewing the label 'hippie', nevertheless revived many hippie traditions into the 1980s and 1990s. Current events, festivals and parties continue to promote the hippie lifestyle and values. The "boho-chic" fashion style of 2003-2007 had a number of hippie features and the London Evening Standard even used the term "hippie chic" (11 March 2005).

Some hippie ideals were an influence on anarcho-punk bands such as Crass, as well as on many peace punk and some crust punk bands. Crass's drummer Penny Rimbaud wrote an essay called "The Last Of The Hippies" recalling how a hippy friend, Phil Russell (a.k.a. Wally Hope), was allegedly committed to a mental institution after becoming a thorn in the side of the establishment. The members of Crass were old enough to have been members of the hippie counter-culture.
Neo-hippiIn the United States, some hippies refer to themselves as "Rainbows," a name derived from their tie-dyed T-shirts, and for some, from their participation in the hippie group, "Rainbow Family of Living Light". Since the early 1970s, the Rainbows meet informally at Rainbow Gatherings on U.S. National Forest Land as well as internationally. "Peace, love, harmony, freedom, and community" is their motto.

Neo-hippies, some of whom are children and grandchildren of the original hippies, advocate many of the same beliefs of their 1960s counterparts. Drug use is just as accepted as in the "original" hippie days, although most neo-hippies do not consider it necessary to take drugs in order to be part of the lifestyle, and others reject drug use in favor of alternative methods of reaching higher or altered consciousness such as drumming circles, community singing, meditation, yoga and dance.
Festivals 
The Oregon Country Fair began in 1969 as a benefit for an alternative school. Currently, the three-day festival features handmade crafts, educational displays and costumed entertainment in a wooded setting near Veneta, Oregon just west of Eugene. Each year the festival becomes the third largest city in Lane County.

The tradition of hippie festivals began in the United States in 1965 with Ken Kesey's Acid Tests, where the Grateful Dead played under the influence of LSD and initiated psychedelic jamming. For the next several decades, many hippies and neo-hippies became part of the Deadhead and Phish Head communities, attending music and art festivals held around the country. The Grateful Dead toured continuously, with few interruptions between 1965 and 1995. Phish toured sporadically between 1983 and 2004. With the demise of the Grateful Dead and Phish, the nomadic touring hippies have been left without a main jam band to follow. Instead, they attend a growing series of summer festivals, the largest of which is called the Bonnaroo Music & Arts Festival, which premiered in 2002.

The annual Starwood Festival, founded in 1981, is a six-day event held in Sherman, New York indicative of the spiritual quest of hippies through an exploration of non-mainstream religions and world-views. It has offered performances and classes by a variety of hippie and counter-culture icons, from musical guests like Big Brother and the Holding Company, Merl Saunders and Babatunde Olatunji to speakers such as Timothy Leary, Terence McKenna, Paul Krassner, Stephen Gaskin, Robert Anton Wilson, Harvey Wasserman and Ralph Metzner.

The Burning Man festival began in 1986 at a San Francisco beach party. Now an annual gathering, the event is held in the Black Rock Desert northeast of Reno, Nevada. Though few participants would accept the "hippie" label, Burning Man is a contemporary expression of alternative community in the same spirit as early hippie events. The gathering becomes a temporary city (36,500 occupants in 2005), with elaborate encampments, displays and many art cars.

Held annually in Manchester, Tennessee, the Bonnaroo Music and Arts Festival has become a tradition for many music fans, since its sold-out premiere in 2002. Approximately 70-80,000 attend Bonnaroo yearly. The festival producers have made investments in their property, constructing vast telecommunications networks, potable water supplies, sanitation facilities, and safety features such as first aid shelters for every 200-300 fans.

The 10,000 Lakes Festival is an annual three-day music festival in Detroit Lakes, Minnesota. Also referred to as '10KLF' (K for thousand, LF for Lakes Festival), the festival began in 2003. Attendance in 2006 was around 18,000.
In Australia the hippie movement originated at the Aquarius Festival held in 1971 in Canberra and again in Nimbin two years later. Many festival goers stayed in Nimbin, transforming the town and local area. It also resulted in the formation of one of Australia's largest and most successful communes.

In the UK, there are many new age travellers who are known as hippies to outsiders, but prefer to call themselves the Peace Convoy. They started the Stonehenge Free Festival in 1974, especially Wally Hope, until the English Heritage legally banned the festival, resulting in the Battle of the Beanfield in 1985. With Stonehenge banned as a festival site new age travellers gather at the annual Glastonbury Festival to see hundreds of live dance, comedy, theatre, circus, cabaret and other performances. Others argue that it has now become too much of a commercial event, and instead opt for smaller festivals such as Beautiful Days, Sunrise Celebration, or The Big Green Gathering. In 2005, Glastonbury festival covered 900 acres (3.6 km²) and attracted 150,000 people.

Between 1976 and 1981, hippie music festivals were held on large farms around Waihi and Waikino in New Zealand- Aotearoa. Named Nambassa, the festivals focused on peace, love, and a balanced lifestyle, featuring workshops and displays advocating alternative lifestyles, clean and sustainable energy, and unadulterated foods. Nambassa is also the tribal name of a trust that has championed sustainable ideas and demonstrated practical counterculture and alternative lifestyle methods since the early 1970s.

Many of the bands performing at hippie festivals, and their derivatives, are called jam bands, since they play songs that contain long instrumentals similar to the original hippie bands of the 1960s.Psychedelic trance or "psytrance," a type of techno music influenced by 1960s psychedelic rock and hippie culture is also popular among neo-hippies worldwide. Psytrance hippies usually attend separate festivals where only electronic music is played.

The Hippie Culture
The hippie counterculture arose in the United States during the mid-1960s, becoming a youth movement that spread to other countries around the world. The etymology of the term 'hippie' is from hipster, and was initially used to describe beatniks who had moved into San Francisco's Haight-Ashbury district. Both the words "hip" and "hep" came from African American culture and denote "awareness."The early hippies inherited the countercultural values of the Beat Generation, created their own communities, listened to psychedelic rock, embraced the sexual revolution, and some used drugs such as cannabis, LSD and magic mushrooms to explore altered states of consciousness.

In January 1967, the Human Be-In in Golden Gate Park in San Francisco popularized hippie culture, leading to the legendary Summer of Love on the West Coast of the United States, and the 1969 Woodstock Festival on the East Coast. Hippies in Mexico, known as jipitecas, formed La Onda and gathered at Avándaro, while in New Zealand, nomadic housetruckers practiced alternative lifestyles and promoted sustainable energy at Nambassa. In the United Kingdom, mobile "peace convoys" of New age travellers made summer pilgrimages to free music festivals at Stonehenge. In Australia hippies gathered at Nimbin for the 1973 Aquarius Festival and the annual Cannabis Law Reform Rally or MardiGrass. "Piedra Roja Festival", a major hippie event in Chile, was held in 1970.

Hippie fashions and values had a very major effect on culture, influencing popular music, television, film, literature, and the arts. Since the 1960s, many aspects of hippie culture have been assimilated by mainstream society. The religious and cultural diversity espoused by the hippies has gained acceptance, and Eastern philosophy and spiritual concepts have reached a larger audience. The hippie legacy can be observed in contemporary culture in myriad forms, including health food, music festivals,contemporary sexual mores, and even the cyberspace revolution.

Ethos and characteristics
Hippies sought to free themselves from societal restrictions, choose their own way, and find new meaning in life. One expression of hippie independence from societal norms was found in their standard of dress and grooming, which made hippies instantly recognizable to one another, and served as a visual symbol of their respect for individual rights. Through their appearance, hippies declared their willingness to question authority, and distanced themselves from the "straight" and "square" (i.e., conformist) segments of society. Personality traits and values that hippies tend to be associated with are "altruism and mysticism, honesty, joy and nonviolence".

At the same time, many thoughtful hippies distanced themselves from the very idea that the way a person dresses could be a reliable signal of who he was — especially after outright criminals such as Charles Manson began to adopt superficial hippie characteristics, and also after plainclothes policemen started to "dress like hippies" in order to divide and conquer legitimate members of the counter-culture.Frank Zappa admonished his audience that "we all wear a uniform"; the San Francisco clown/hippie Wavy Gravy said in 1987 that he could still see fellow-feeling in the eyes of Market Street businessmen who had dressed conventionally to survive.


Art and fashion


Leading proponents of the 1960s Psychedelic Art movement were San Francisco poster artists such as: Rick Griffin, Victor Moscoso, Bonnie MacLean, Stanley Mouse & Alton Kelley, and Wes Wilson. Their Psychedelic Rock concert posters were inspired by Art Nouveau, Victoriana, Dada, and Pop Art. The "Fillmore Posters" were among the most notable of the time. Richly saturated colors in glaring contrast, elaborately ornate lettering, strongly symmetrical composition, collage elements, rubber-like distortions, and bizarre iconography are all hallmarks of the San Francisco psychedelic poster art style. The style flourished from roughly the years 1966 to 1972. Their work was immediately influential to album cover art, and indeed all of the aforementioned artists also created album covers. Psychedelic light-shows were a new art-form developed for rock concerts. Using oil and dye in an emulsion that was set between large convex lenses upon overhead projectors, the lightshow artists created bubbling liquid visuals that pulsed in rhythm to the music. This was mixed with slideshows and film loops to create an improvisational motion picture art form, and to give visual representation to the improvisational jams of the rock bands and create a completely "trippy" atmosphere for the audience. The Brotherhood of Light were responsible for many of the light-shows in San Francisco psychedelic rock concerts.As in the beat movement preceding them, and the punk movement that followed soon after, hippie symbols and iconography were purposely borrowed from either "low" or "primitive" cultures, with hippie fashion reflecting a disorderly, often vagrant style. As with other adolescent, white middle-class movements, deviant behavior of the hippies involved challenging the prevailing gender differences of their time: both men and women in the hippie movement wore jeans and maintained long hair, and both genders wore sandals or went barefoot. Men often wore beards,while women wore little or no makeup, with many going braless. Hippies often chose brightly-colored clothing and wore unusual styles, such as bell-bottom pants, vests, tie-dyed garments, dashikis, peasant blouses, and long, full skirts; non-Western inspired clothing with Native American, Asian, Indian, African and Latin American motifs were also popular. Much hippie clothing was self-made in defiance of corporate culture, and hippies often purchased their clothes from flea markets and second-hand shops. Favored accessories for both men and women included Native American jewelry, head scarves, headbands and long beaded necklaces. Hippie homes, vehicles and other possessions were often decorated with psychedelic art.

Out of the psychedelic counterculture there also arose a new genre of comic books: underground comix. "Zap Comix" was among the original underground comics, and featured the work of Robert Crumb, S. Clay Wilson, Victor Moscoso, Rick Griffin, and Robert Williams among others. Underground Comix were ribald, intensely satirical, and seemed to pursue weirdness for the sake of weirdness. Gilbert Shelton created perhaps the most enduring of underground cartoon characters, "The Fabulous Furry Freak Brothers", whose drugged-out exploits held a hilarious mirror up to the hippy lifestyle of the 1960s.


Love and sex
Oz number 28, also known as the "Schoolkids issue of OZ", which was the main cause of a 1971 high-profile obscenity case in the United Kingdom.Oz was a UK underground publication with a general hippie / counter-cultural point of view.

The common stereotype on the issues of love and sex had it that the hippies were "promiscuous, having wild sex orgies, seducing innocent teenagers and every manner of sexual perversion." The hippie movement appeared concurrently in the midst of a rising Sexual Revolution, in which many views of the status quo on this subject were being challenged.

The clinical study Human Sexual Response was published by Masters and Johnson in 1966, and the topic suddenly became more commonplace in America. The 1969 book Everything You Always Wanted to Know About Sex (But Were Afraid to Ask) by Dr. David Reuben was a more popular attempt at answering the public's curiosity regarding such matters. Then in 1972 appeared The Joy of Sex by Alex Comfort, reflecting an even more candid perception of love-making. By this time, the recreational or 'fun' aspects of sexual behavior were being discussed more openly than ever before, and this more 'enlightened' outlook resulted not just from the publication of such new books as these, but from a more pervasive Sexual Revolution that had already been well underway for some time.

The hippies inherited various countercultural views and practices regarding sex and love from the Beat Generation; "their writings influenced the hippies to open up when it came to sex, and to experiment without guilt or jealousy." One popular hippie slogan that appeared was "If it feels good, do it!"[85] which for many "meant you were free to love whomever you pleased, whenever you pleased, however you pleased. This encouraged spontaneous sexual activity and experimentation. Group sex, public sex...homosexuality, all the taboos went out the window. This doesn't mean that straight sex...or monogamy were unknown, quite the contrary. Nevertheless, the open relationship became an accepted part of the hippy lifestyle. This meant that you might have a primary relationship with one person, but if another attracted you, you could explore that relationship without rancor or jealousy."

Hippies embraced the old slogan of free love of the radical social reformers of other eras; it was accordingly observed that "Free love made the whole love, marriage, sex, baby package obsolete. Love was no longer limited to one person, you could love anyone you chose. In fact love was something you shared with everyone, not just your sex partners. Love exists to be shared freely. We also discovered the more you share, the more you get! So why reserve your love for a select few? This profound truth was one of the great hippie revelations." Sexual experimentation alongside psychedelics also occurred, due to the perception of their being uninhibitors. Others explored the spiritual aspects of sex.


Travel
Hippies tended to travel light, and could pick up and go wherever the action was at any time. Whether at a "love-in" on Mount Tamalpais near San Francisco, a demonstration against the Vietnam War in Berkeley, or one of Ken Kesey's "Acid Tests", if the "vibe" wasn't right and a change of scene was desired, hippies were mobile at a moment's notice. Planning was eschewed, as hippies were happy to put a few clothes in a backpack, stick out their thumbs and hitchhike anywhere. Hippies seldom worried whether they had money, hotel reservations or any of the other standard accoutrements of travel. Hippie households welcomed overnight guests on an impromptu basis, and the reciprocal nature of the lifestyle permitted greater freedom of movement. People generally cooperated to meet each other's needs in ways that became less common after the early 1970s. This way of life is still seen among Rainbow Family groups, new age travellers and New Zealand'shousetruckers.

A derivative of this free-flow style of travel were the hippie trucks and buses, hand-crafted mobile houses built on a truck or bus chassis to facilitate a nomadic lifestyle, as documented in the 1974 book Roll Your Own. Some of these mobile gypsy houses were quite elaborate, with beds, toilets, showers and cooking facilities.

On the West Coast, a unique lifestyle developed around the Renaissance Faires that Phyllis and Ron Patterson first organized in 1963. During the summer and fall months, entire families traveled together in their trucks and buses, parked at Renaissance Pleasure Faire sites in Southern and Northern California, worked their crafts during the week, and donned Elizabethan costume for weekend performances, and to attend booths where handmade goods were sold to the public. The sheer number of young people living at the time made for unprecedented travel opportunities to special happenings. The peak experience of this type was the Woodstock Festival near Bethel, New York, from August 15 to 18, 1969, which drew over 500,000 people.

Hippie trail
One travel experience, undertaken by hundreds of thousands of hippies between 1969 and 1971, was the Hippie trail overland route to India. Carrying little or no luggage, and with small amounts of cash, almost all followed the same route, hitch-hiking across Europe to Athens and on to Istanbul, then by train through central Turkey via Erzurum, continuing by bus into Iran, via Tabriz and Tehran to Mashhad, across the Afghan border into Herat, through southern Afghanistan via Kandahar to Kabul, over the Khyber Pass into Pakistan, via Rawalpindi and Lahore to the Indian frontier. Once in India, hippies went to many different destinations, but gathered in large numbers on the beaches of Goa and Kovalam in Trivandrum (Kerala), or crossed the border into Nepal to spend months in Kathmandu. In Kathmandu, most of the hippies hung out in the tranquil surroundings of a place called Freak Street, (Nepal Bhasa: Jhoo Chhen) which still exists near Kathmandu Durbar Square.


Spirituality and religion
Many hippies rejected mainstream organized religion in favor of a more personal spiritual experience, often drawing on indigenous and folk beliefs. If they adhered to mainstream faiths, hippies were likely to embrace Buddhism, Unitarian Universalism, Hinduism and the restorationist Christianity of the Jesus Movement. Some hippies embraced neo-paganism, especially Wicca.

In his 1991 book, "Hippies and American Values", Timothy Miller described the hippie ethos as essentially a "religious movement" whose goal was to transcend the limitations of mainstream religious institutions. "Like many dissenting religions, the hippies were enormously hostile to the religious institutions of the dominant culture, and they tried to find new and adequate ways to do the tasks the dominant religions failed to perform." In his seminal, contemporaneous work, "The Hippie Trip", author Lewis Yablonsky notes that those who were most respected in hippie settings were the spiritual leaders, the so-called "high priests" who emerged during that era.

One such hippie "high priest" was San Francisco State University Professor Stephen Gaskin. Beginning in 1966, Gaskin's "Monday Night Class" eventually outgrew the lecture hall, and attracted 1,500 hippie followers in an open discussion of spiritual values, drawing from Christian, Buddhist, and Hindu teachings. In 1970 Gaskin founded a Tennessee community called The Farm, and he still lists his religion as "Hippie."

Politics
"The hippies were heirs to a long line of bohemians that includes William Blake, Walt Whitman, Ralph Waldo Emerson, Henry David Thoreau, Herman Hesse, Arthur Rimbaud, Oscar Wilde, Aldous Huxley, utopian movements like the Rosicrucians and the Theosophists, and most directly the Beatniks. Hippies emerged from a society that had produced birth-control pills, a counterproductive war in Vietnam, the liberation and idealism of the civil rights movement, feminism, gay rights, FM radio, mass-produced LSD, a strong economy, and a huge number of baby-boom teenagers. These elements allowed the hippies to have a mainstream impact that dwarfed that of the Beats and earlier avant-garde cultures." For the historian of the anarchist movement Ronald Creagh, the hippie movement could be considered as the last spectacular resurgence of utopian socialism. For Creagh, a characteristic of this is the desire for the transformation of society not through political revolution, or through reformist action pushed forward by the state, but through the creation of a counter-society of a socialist character in the midst of the current system, which will be made up of ideal communities of a more or less libertarian social form.

The peace symbol was developed in the UK as a logo for the Campaign for Nuclear Disarmament, and was embraced by U.S. anti-war protesters during the 1960s. Hippies were often pacifists, and participated in non-violent political demonstrations, such as civil rights marches, the marches on Washington D.C., and anti–Vietnam War demonstrations, including draft-card burnings and the 1968 Democratic National Convention protests.The degree of political involvement varied widely among hippies, from those who were active in peace demonstrations, to the more anti-authority street theater and demonstrations of the Yippies, the most politically active hippie sub-group. Bobby Seale discussed the differences between Yippies and hippies with Jerry Rubin, who told him that Yippies were the political wing of the hippie movement, as hippies have not "necessarily become political yet". Regarding the political activity of hippies, Rubin said, "They mostly prefer to be stoned, but most of them want peace, and they want an end to this stuff."

In addition to non-violent political demonstrations, hippie opposition to the Vietnam War included organizing political action groups to oppose the war, refusal to serve in the military and conducting "teach-ins" on college campuses that covered Vietnamese history and the larger political context of the war.

Scott McKenzie's 1967 rendition of John Phillips' song "San Francisco (Be Sure to Wear Flowers in Your Hair)", which helped to inspire the hippie Summer of Love, became a homecoming song for all Vietnam veterans arriving in San Francisco from 1967 onward. McKenzie has dedicated every American performance of "San Francisco" to Vietnam veterans, and he sang in 2002 at the 20th anniversary of the dedication of the Vietnam Veterans Memorial. Hippie political expression often took the form of "dropping out" of society to implement the changes they sought.

Politically motivated movements aided by hippies include the back to the land movement of the 1960s, cooperative business enterprises, alternative energy, the free press movement, and organic farming. The San Francisco group known as the Diggers articulated an influential radical criticism of contemporary mass consumer society, and so they opened free stores which simply gave away their stock, provided free food, distributed free drugs, gave away money, organized free music concerts, and performed works of political art. The Diggers took their name from the original English Diggers (1649–50) led by Gerrard Winstanley, and they sought to create a mini-society free of money and capitalism.

Such activism was ideally carried through anti-authoritarian and non-violent means; thus it was observed that "The way of the hippie is antithetical to all repressive hierarchical power structures since they are adverse to the hippie goals of peace, love and freedom... Hippies don't impose their beliefs on others. Instead, hippies seek to change the world through reason and by living what they believe."

The political ideals of hippies influenced other movements, such as anarcho-punk, rave culture, green politics, stoner culture and the new age movement. Penny Rimbaud of the English anarcho-punk band Crass said in interviews, and in an essay called The Last Of The Hippies, that Crass was formed in memory of his friend, Wally Hope. Rimbaud also said that Crass were heavily involved with the hippie movement throughout the 1960s and 1970s, with Dial House being established in 1967. Many punks were often critical of Crass for their involvement in the hippie movement. Like Crass, Jello Biafra was influenced by the hippie movement, and cited the yippies as a key influence on his political activism and thinking, though he also wrote songs critical of hippies.
Drugs
Following in the footsteps of the Beats, many hippies used cannabis (marijuana), considering it pleasurable and benign. They enlarged their spiritual pharmacopeia to include hallucinogens such as LSD, psilocybin, and mescaline, while often renouncing the use of alcohol. On the East Coast of the United States, Harvard University professorsTimothy Leary, Ralph Metzner and Richard Alpert (Ram Dass) advocated psychotropic drugs for psychotherapy, self-exploration, religious and spiritual use. Regarding LSD, Leary said, "Expand your consciousness and find ecstasy and revelation within."

On the West Coast of the United States, Ken Kesey was an important figure in promoting the recreational use of psychotropic drugs, especially LSD, also known as "acid." By holding what he called "Acid Tests", and touring the country with his band of Merry Pranksters, Kesey became a magnet for media attention that drew many young people to the fledgling movement. The Grateful Dead (originally billed as "The Warlocks") played some of their first shows at the Acid Tests, often as high on LSD as their audiences. Kesey and the Pranksters had a "vision of turning on the world." Harder drugs, such as amphetamines and heroin, were also sometimes used in hippie settings; however, these drugs were often disdained, even among those who used them, because they were recognized as harmful and addictive.

Legacy
Newcomers to the Internet are often startled to discover themselves not so much in some soulless colony of technocrats as in a kind of cultural Brigadoon - a flowering remnant of the '60s, when hippie communalism and libertarian politics formed the roots of the modern cyberrevolution...
Stewart Brand, "We Owe It All To The Hippies".

The legacy of the hippie movement continues to permeate Western society. In general, unmarried couples of all ages feel free to travel and live together without societal disapproval. Frankness regarding sexual matters has become more common, and the rights of homosexual, bisexual andtranssexual people, as well as people who choose not to categorize themselves at all, have expanded.Religious and cultural diversity has gained greater acceptance. Co-operative business enterprises and creative community living arrangements are more accepted than before. Some of the little hippie health food stores of the 1960s and 1970s are now large-scale, profitable businesses, due to greater interest in natural foods, herbal remedies, vitamins and other nutritional supplements.Authors Stewart Brand and John Markoff argue that the development and popularization of personal computers and the Internet find one of their primary roots in the anti-authoritarian ethos promoted by hippie culture.

Distinct appearance and clothing was one of the immediate legacies of hippies worldwide.During the 1960s and 1970s, mustaches, beards and long hair became more commonplace and colorful, while multi-ethnic clothing dominated the fashion world. Since that time, a wide range of personal appearance options and clothing styles, including nudity, have become more widely acceptable, all of which was uncommon before the hippie era. Hippies also inspired the decline in popularity of the necktie and other business clothing, which had been unavoidable for men during the 1950s and early 1960s. Additionally, hippie fashion itself has been commonplace in the years since the 1960's in clothing and accessories, particularly the peace symbol.

Astrology, including everything from serious study to whimsical amusement regarding personal traits, was integral to hippie culture.

The hippie legacy in literature includes the lasting popularity of books reflecting the hippie experience, such as The Electric Kool-Aid Acid Test. In music, the folk rock and psychedelic rock popular among hippies evolved into genres such as acid rock, world beat and heavy metal music. Psychedelic trance (also known as psytrance) is a type of electronic music music influenced by 1960s psychedelic rock. The tradition of hippie music festivals began in the United States in 1965 with Ken Kesey's Acid Tests, where the Grateful Dead played tripping on LSD and initiated psychedelic jamming. For the next several decades, many hippies and neo-hippies became part of the Deadhead community, attending music and art festivals held around the country. The Grateful Dead toured continuously, with few interruptions between 1965 and 1995.Phish and their fans (called Phish Heads) operated in the same manner, with the band touring continuously between 1983 and 2004. Many contemporary bands performing at hippie festivals and their derivatives are called jam bands, since they play songs that contain long instrumentals similar to the original hippie bands of the 1960s.

With the demise of Grateful Dead and Phish, nomadic touring hippies attend a growing series of summer festivals, the largest of which is called the Bonnaroo Music & Arts Festival, which premiered in 2002. The Oregon Country Fair is a three-day festival featuring handmade crafts, educational displays and costumed entertainment. The annual Starwood Festival, founded in 1981, is a seven-day event indicative of the spiritual quest of hippies through an exploration of non-mainstream religions and world-views, and has offered performances and classes by a variety of hippie and counter-culture icons.


"The '60s were a leap in human consciousness. Mahatma Gandhi, Malcolm X, Martin Luther King, Che Guevara, they led a revolution of conscience. The Beatles, The Doors, Jimi Hendrix created revolution and evolution themes. The music was like Dalí, with many colors and revolutionary ways. The youth of today must go there to find themselves."
— Carlos Santana

The Burning Man festival began in 1986 at a San Francisco beach party and is now held in the Black Rock Desert northeast of Reno, Nevada. Although few participants would accept the hippie label, Burning Man is a contemporary expression of alternative community in the same spirit as early hippie events. The gathering becomes a temporary city (36,500 occupants in 2005, 50,000+ in 2011), with elaborate encampments, displays, and many art cars. Other events that enjoy a large attendance include the Rainbow Family Gatherings, The Gathering of the Vibes, Community Peace Festivals, and the Woodstock Festivals.

In the UK, there are many new age travellers who are known as hippies to outsiders, but prefer to call themselves the Peace Convoy. They started the Stonehenge Free Festival in 1974, but English Heritage later banned the festival, resulting in the Battle of the Beanfield in 1985. With Stonehenge banned as a festival site, new age travellers gather at the annual Glastonbury Festival.

In New Zealand between 1976 and 1981 tens of thousands of hippies gathered from around the world on large farms around Waihi and Waikino for music and alternatives festivals. Named Nambassa, the festivals focused on peace, love, and a balanced lifestyle. The events featured practical workshops and displays advocating alternative lifestyles, self sufficiency, clean and sustainable energy andsustainable living.

In the UK and Europe, the years 1987 to 1989 were marked by a large-scale revival of many characteristics of the hippie movement. This later movement, composed mostly of people aged 18 to 25, adopted much of the original hippie philosophy of love, peace and freedom. The summer of 1988 became known as the Second Summer of Love. Although the music favored by this movement was modern electronic music, especially house music and acid house, one could often hear songs from the original hippie era in the chill out rooms at raves. In the UK, many of the well-known figures of this movement first lived communally in Stroud Green, an area of north London located in Finsbury Park.

Popular films depicting the hippie ethos and lifestyle include Woodstock, Easy Rider, Hair, The Doors, Across the Universe, Taking Woodstock, and Crumb.

In 2002, photojournalist John Bassett McCleary published a 650-page, 6,000-entry unabridged slang dictionary devoted to the language of the hippies titled The Hippie Dictionary: A Cultural Encyclopedia of the 1960s and 1970s. The book was revised and expanded to 700 pages in 2004. McCleary believes that the hippie counterculture added a significant number of words to the English language by borrowing from the lexicon of the Beat Generation, through the hippies' shortening of beatnik words and then popularizing their usage.

In 2005, journalist Oliver Benjamin founded The Church of Latter-Day Dude, a website-philosophy and mock religion inspired by the character "the Dude", a former hippie, in the 1998 movie The Big Lebowski. Dudeism, as it is known, holds many connections to the hippie ethos, from its “take it easy” attitude and rebel shrug, to its come-as-you-are sense of individual freedom and expression. Dudeism is very much influenced by the hippie movement, maintaining that the "revolution is not over", that it actually began a very long time ago, and will continue far into the future. Dudeist literature even claims that Dudeism has provided a contemporary spiritual home for the hippie philosophy.




Artist Lee Stoetzel has crafted this tribute to the classic Volkswagon motor bus. His spin on the environmentaly friendly automobile is as much a tribute to vehicle itself as it is to the hippie culture it was such a part of.

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